

It’s a microcosm of Eyez, which is equal parts personal and political, and absolutely his best album yet. “Fuck the fame and the fortune – well, maybe not the fortune / But one thing is for sure though, the fame is exhausting,” he admits on the bass-heavy Neighbors, a fast-paced jam that refuses to confuse upward social mobility with inclusion, as Cole recognizes that his rich neighbors think he made his money “selling dope”.

He does this all while dissecting how stardom has changed his life just enough to make him influential, yet somehow not enough to spare him from racial profiling. With his new album, 4 Your Eyez Only, Cole channels Be Free, finding a new niche and renewed purpose as a mouthpiece for black frustrations, throwing himself headfirst into rap activism. It was a moving tribute to black lives mattering that unfolded like a vigil on live TV: “Can you tell me why/ Every time I step outside I see my niggas die/ I’m lettin’ you know that there ain’t no gun they make that can kill my soul.” To this day, it remains the most gripping and endearing moment in his canon.
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When Brown was killed, Cole performed an ode called Be Free on the David Letterman show.

Album DescriptionCole was among the first responders to the cause, heeding the call from fans looking to anoint a new generation of visible advocates he was early on the scene in Ferguson after the death of Michael Brown and has written a handful of protest songs since. See More Your browser does not support the audio element. It's a special work, one that might require several thorough spins - across a long stretch of time - to be fully appreciated by those who love Cole's hit singles. Mostly slow and nuanced, cooked up with a crew of well over a dozen co-producers, they involve instrumental help from the likes of trumpeter Theo Croker, guitarist Steve Lacy of the Internet, and keyboardist Masayuki Hirano. Cole's predominant scarred yet resolute feeling, perfectly conveyed in his downward, furrowed gaze in the album's promotional images, is likewise reflected with the productions.

Most moving and forthright is the closing title track, nine minutes of grimly focused reflections from multiple vantage points. One track regards an unjustified SWAT raid on a house he rented for recording, leaving him feeling targeted, "Even when the president jam your tape." There's a moment of levity and sweetness throughout "Foldin Clothes," where Cole enthusiastically handles some domestic duties, while the two parts of "She's Mine" regard, respectively, his wife and daughter. Cole also draws from some aspects of his own life. Told in the first person, most of its tracks trace the life trajectory of Cole's slain friend, as someone who dealt drugs, changed course after falling in love, and died at the age of 22. Released on short notice and with minimal hype, it's another one without guest verses, and his leanest yet. Cole's fourth album arrived exactly two years after 2014 Forest Hills Drive.
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Purchase and download this album in a wide variety of formats depending on your needs.
